![]() Mappings from analyses of the received signal to signal-processing parameters are designed to emphasize this specificity as an aesthetic goal. audio feedback emphasizes mutual sonic interaction between signal processing and the acoustic environment. This article presents new context-based controls over audio feedback, leading to the generation of desired sonic behaviors by enriching the influence of existing acoustic information such as room response and ambient noise. Read moreĪudio feedback is defined as a positive feedback of acoustic signals where an audio input and output form a loop, and may be utilized artistically. Reverberations brings together a range of perspectives, case studies, critiques and suggestions as to how noise can mobilize thought and cultural activity through a heightening of critical creativity.Written by a strong, international line-up of scholars and artists, Reverberations looks to energize this field of study and initiate debates for years to come. Considered in this way, noise is seen as an essential yet excluded element of contemporary culture that demands a rigorous engagement. ![]() The book opens with ideas of what noise is, and then works through ideas of how noise works in contemporary media, to conclude by showing potentials within noise for a continuing cultural renovation through experimentation. ![]() This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. Noise permeates our highly mediated and globalised cultures.
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